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The bright, mild wind came gushing steadily over the bulwark rail; the decks were slightly sloped, and their seams ran black, as defined as the ebony lines ruled by standing rigging in moonshine, and the planks between shone like ivory. On high the heeling structure was a vast surface of canvas, with three square yards at the fore for the fore topsail and topgallant sail, and over the swan-like stem of this American clipper—for a clipper she was—the immensely long bowsprit and jibboom spread the foot of huge triangular wings which gave the hull a grand and noble look forward, as though she was about to spring from the water in the brilliant flash of foam which darted from the wet and metalled fore-foot, to form one of the squadron of cream-coloured clouds royal in their progress with trailing robes of glory.,

"Well I didn't. Them two marks are symbols, signifyin' a gap.",

"You are not armed, I think," said the Admiral, "whilst the Minorca carries some carronades and a stand of small arms in her cabin. Mr Lawrence is a fighting man, and his situation is one of desperation and"—his voice sank as he added—"piracy.",

"Well, 'cause Bill hogs it, that's why," complained Anson. "Last time we had tarts I didn't get none. An' it's the same with pie an' cake."

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It was apparently a morning half-holiday with Old Harbour Town. Groups stood or walked about the wharves in talk. Most of the people respectfully saluted the ladies and the Admiral, who, one or another, had for every other person a kindly sentence or a pleasant smile. Standing in the gangway of the Minorca was Mr Lawrence, who had manifestly seen the party approaching, though himself had been hidden from them by the interposition of the main shrouds. He crossed the planks which connected the ship with the shore, and stood with his hat in his hand as though they were royalty.,

"One morning something over a year ago a queer little man came to my office. He told me his name, Scroggie, but refused to give me any address. He said he wished to make his will and insisted that I draw it up. It was a simple will, as I remember it, merely stating that 'I something-or-other, Scroggie, hereby bequeath all my belongings, including land and money, to Frank Stanhope.' I made it out exactly as he worded it, had it sealed and witnessed and handed it to him. But the old fellow refused to take it. I asked him why, and he said: 'You keep it safe until I send for it. I'm willin' to pay for your trouble.',

"I don't want Maurice," Billy hastened to explain. "Ma wants Missus Keeler to come over an' give her a hand, so I'm on my way to tell her. Honest, Mr. Keeler, that's right.",

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.